THE INVISIBLE WOMAN
By: debbie lynn elias I am in awe of THE INVISIBLE WOMAN. On every level – from script to performance to period perfect production design
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By: debbie lynn elias I am in awe of THE INVISIBLE WOMAN. On every level – from script to performance to period perfect production design
By: debbie lynn elias Written and directed by Eric Heisserer, who here makes his directorial debut, HOURS is one of the final films of Paul
By: debbie lynn elias In his sophomore outing with OUT OF THE FURNACE, writer/director Scott Cooper proves that he is no “flash in the directorial
By: debbie lynn elias There couldn’t be a more appropriate film to hit theatres this Thanksgiving weekend than HOMEFRONT. Based on Chuck Logan’s best selling
By: debbie lynn elias What happens when you take a true, touching, heart-wrenching story more than 50 years in the making, have Steve Coogan and
By: debbie lynn elias An exploration into sibling relationships set in a world of life on the wrong side of the tracks comes to us
By: debbie lynn elias THE BOOK THIEF has stolen my heart. To describe the film in a word, it’s quite simply, MAGNIFICENT. Adapted from the
By: debbie lynn elias TOUCHY FEELY is by far the most emotionally complex of Lynn Shelton’s films. Delving deeper into structured relationships and scripted story
By: debbie lynn elias Completing the Before Sunrise/Before Sunset trilogy is Richard Linklater’s BEFORE MIDNIGHT. Returning 18 years after Before Sunrise and nine since Before
By: debbie lynn elias With well over 150 adaptations and imaginations of what is perhaps Shakespeare’s most famous, and definitely most adapted, work on screen,
